a garden of paint

Wow, I’ve just finished my second painting class and I’m amazed at what the heck I’m actually painting! I haven’t picked up a brush seriously in decades and have pined to do this for many years.

Finally, I am inspired enough to do it in Mexico because I found the right teacher for me: Nina.

I won’t go in too much detail about her though, for privacy reasons, but I do want to share with you my experience so far.

After an hour or so on my first day two weeks ago, of talking and getting to know her and for her to know a bit about me, she left the room and came back with a half sheet of heavy painting paper and some little decorated rocks plus a box of various pieces of oil pastels.

She spread out the paper on a high table and told me to hold the little rocks and then forcibly throw them on to the paper, where they would stay as I drew around them connecting them with oil pastel colors of my choice. If a rock landed on an edge, that would be where my pastel mark would leave the page. So I circled and linked up all the stones and then we took them off. Voila! The skeleton of my painting. Nina told me Picasso used to do this.

Nina is an educator and established fine artist and she gives many workshops on intuitive creativity, and this is where I am headed with all this.

She pinned up my drawing on the wall and told me to pick some acrylic colors which she blobbed on to an enamel meat-market dish and told me to ‘activate’ my brush in water and start to play with the paint adding water and mixing here and there. It was, for me, a very delicate operation as I was like a fawn dipping my feet in a pond I’d never seen before: it felt that strange to me after so long.

Then she instructed me to add colour wash to my painting which I gradually did for the next hour. When time was up, she left my work hanging on her wall, we said our goodbyes and I arranged to come back in two weeks.

It was amazing! I felt my heart opening again to my wonderful creative sensitivities and I’m pretty sure I was beaming when I got home. (This after 6 weeks of on-and-off silly health issues that just kept cropping up and really depressing me.)

Yesterday was my second painting day, and so we talked a little had a cup of coffee and proceeded to play again with adding some darker lines in oil pastel. Amazingly, Nina told me to ‘make some notes’ about my painting. Notes? What do you mean notes?

Just like writing, working, making music, she told me, you make notes as you work on your painting and include little thumbnail sketches as well to work out aspects of the drawing including negative spaces, shapes and details ‘before’ I work them in to my painting. Also, she told me, to stand back from it and look at it. Then she took a sheet of paper, pinned it to the wall (about half the size of mine) and started to rough-sketch out the emerging lines and areas in very quick, rough connected line so that I could see my layout in simple form and to help me to decide what to do with the thing. The painting was telling me / telling me what to do!

Then she told me to start blocking out with household, water-based white paint the areas that I didn’t like and wanted to do something else with, which I did.

And finally, Nina told me to start adding back some color and to decide what actually was going on in the painting by standing back and looking at it.

Aha! I exclaimed out loud, there’s a bird in there! And so I painted in the outline of a bird and added some more acrylic wash colours before my time was up.

The point I’m getting to is this and exactly what Nina told me yesterday: never try to paint what is in your mind and try to recreate it because it will always fall short of your ideas. Just paint intuitively what you feel and build on that; explore where it leads you. And I can vouch for that: I found a bird in my garden painting that I never knew was there!

Nina also said every day, take a painting paper sketch/notebook and a box of crayons and draw, just draw anything from your intuition to keep flowing. Consider it doodling. And so I will.

I go again next Monday, and perhaps by day’s end I’ll have finished my first painting, or maybe not. But when I do, I certainly will post it here to show you where your soul can take you if you just:

a) open up, and

b) go to the teacher.

Loving the process! And loving the teacher! /mw

On This Theme of Listening

One of my favourite musicians in the whole wide world, is Dame Evelyn Glennie.

She is the world’s first (and only?) solo percussionist who has made a career of playing percussion instruments professionally, all over the world in magnificent venues as well as some of the most humble. I was fortunate to see her in-concert at one of those humble places, a high school theater in a small town, Mission, B.C., a few years ago.

Moreover, Evelyn Glennie is also profoundly deaf.

I want to share a wonderful piece of her music with you from YouTube: “A Little Prayer” performed and improvised with Fred Frith, from the documentary “Touch the Sound: A Sound Journey with Evelyn Glennie“.

Another fact about Dame Evelyn is that she plays–in concert–in her bare feet. This is how she ‘feels’ the music. 

Also, please visit her TED Talks video on YouTube: “How to Truly Listen“, to carry the listening theme here today a step farther.

It seems we all could listen and thereby “feel” more. I guess the reason this is really hitting me now is, during our trip back home, every morning in the hotel we were staying in, they provided an included food-service, barely warm, serve-it-yourself breakfast, and apart from the rubber eggs and nearly empty serving dishes, one of the other things I found not too palpable every single morning, was the over-friendly, loud and just plain nosey conversations of the woman who prepared and laid out the food.

For those of us who like to greet the day quietly and gently, waking up to a good strong and hot cup of coffee, this was for me, almost unbearable. Instead of being sensitive to everyone, respectful and professional, her loudness became ‘all about her’ and what she wanted to know. I had to bite my tongue every morning, because I knew it was just not my place to explain it to her myself. But I also knew she meant well. 

I too have suffered from ‘chattiness’ all my life, and remember seeing in cold, blue, fountain pen print on one of my first report cards as a child: “——— is too talkative in class.” (What a blow to me even then; I thought I was just being friendly.) Well, sometimes ‘friendly’ means too talkative and I should pay more attention to listening and shutting up!

However, I do know this:  At the end of our lives, we sure ain’t gonna be wishing we could have one more superficial and meaningless conversation–with anybody!

We will be wishing we could have one more breath; utter or be told one more profound and personal word from a loved one that will matter, or say one kind and uplifting comment to a stranger beside us, who may need that word–desperately–themselves.

Instead of talking. So much. Listen. And feel. More. And save that breath, for later…

I know I’ll be working on this myself; this, and my tolerance level.

Enjoy the listening!

Love, mw

Back!

pinata hi contrast

Well, we are back in Mexico now from a 2-1/2-week, hectic trip back home to Cold Rain Country. I got a lot of errands done, saw some friends and family, and picked up my new Baby Nikon. Although I have handled the sweet thing once or twice and admired it, I have not explored the new camera yet as we had been too busy to relax.  Now, in the sun and warmth again and a slower pace of life, I will focus (no pun intended) on getting the most out of my new equipment.

When we returned here on Thursday, it was hot like summer (around 30 Celsius) but the temperatures still drop to around 5-8C overnight and today has been windy and cool (only 18C). It is still winter here in the high desert, even though the sun is shining. The thing we noticed in abundance, especially in Mexico City, is the blossoming Jacaranda trees with their broad-reaching, dark purple-flowered branches towering above the buildings along many streets there, with the odd one here flowering as well. They are a lovely, huge tree common in southern regions. The purple is a stunning hue but I am not sure if they have fragrant blossoms. I will have to do some hands-on research with one growing on a nearby street. I hope I don’t have to climb it to do this!  Our lemon tree is now filled with blossoms too and hummingbirds seem to be visiting more often today, than even only 2 weeks ago. Spring is in the air.

This afternoon we met and spoke with artist Vicki Chiger, who is busy painting a large piece for her show at the Instituto Allende tomorrow. I just love her colourful, abstract work which she has exhibited on the walls in a studio space there. We peered at her through the glass door and she kindly invited us in for a brief chat about her work and art in general. She mentioned that to have a good painting, one needs to plan it, draft it out, and spend time on the base drawing first, before laying down paint and colour. She said, that if there is no underlying drawing, the painting itself will be muddy and ‘aimless’; therefore, she spends a lot of time using charcoal to draw her figures and shapes first and steps back often to view her work in progress to make sure everything shapes up the way she wants. (Click on her name, and a link to her website comes up. Enjoy browsing her work!)

We are now half-way through Lent and leading up to Semana Santa (Holy Week) which means there will be many wonderful celebrations to come. I know I will be there with Baby Nikon, so stay tuned for some new photos very soon.

Love, MoonWynd

[MoonWynd Studio - Photographs. Copyright 2013. All Rights Reserved.]

What’s ‘Cool in the Links World Fridays’

Here are some of my favorites for this week. Enjoy!

1.  Maggie Taylor

2.  Prosopon School of Iconography (using egg tempera paints)

3.  How to Draw Byzantine Icons

4.  Joanie’s Painting on Cardboard (I just love Joanie’s artwork and blog; she’s so inspiring–and prolific!)

5.  Duirwaigh Studios

6.  eHow Arts & Crafts

7.  archangel hotel (Frome, UK)

8. Matthew D. Jordan (one very talented designer)

Happy weekend everyone!

I’ll be travelling for the next 3 weeks and most likely there will be no posts from me.  The best news of all is, I’ve got a new Nikon waiting for me back home: You just can never have enough of ‘em!  

I decided that since my camera needs some ‘maintenance’ and will be in the shop for several days (first time since I got this one several years ago), I certainly need a backup–especially when on the road and roaming.  There just aren’t any reputable Nikon service centers in many places and I simply cannot be without a camera; I go in to withdrawal symptoms.

I can’t wait to hold my new baby!  Stand by for new photos, as I’ll be working on an extensive new series as soon as I get back.

Hasta luego!

Love, MoonWynd

P.S.  Does anyone have their own Nikon Love Story to tell, a Nikon loss that was unbearable, or a Nikon reunited tale?  I’d love to hear them.

Once you’ve had a Nikon, nothing else will do.  I can’t even bear to touch a Canon.  But I must confess I had a short fling with a Pentax back in my past when someone stole my great little Nikon FM out of my car at the Park Royal Mall.

Nikon is the one for me.  Forever!

Mega Red Heart Pinata

Mega Red Heart Pinata

[MoonWynd Studio - Photographs. Copyright 2013.
All Rights Reserved.]

INDEPENDENCIA

[MoonWynd Studio - Copyright - 2012. SJC Gallery.]

in the morning light

In the Morning Light – A Foot In Cold Water lyrics

“In the morning lights
Feels so good, by me
It could be so right
You and me, tonight

Make me do anything you want
Make me do anything you want

Work hard in the daytime
For our dinner at night
Comfort me at the right time
Everything’s gonna be alright

Make me do anything you want
Make me be everything you want
Make me do anything you want

In the morning lights
Feels so good, by me
It could be so right
You and me, tonight

Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do anything you want
Make me do….”

[MoonWynd Studio Photography - 2012 - Copyright.  In the Morning Light.]

silent retreat

“If you can’t ever be silent, not only can you not get in touch with God, you can’t even get in touch with yourself.”

~Sister Jean Marie

 

Read more:

Queen of Peace Monastery – Upper Squamish Valley, British Columbia


http://www.vancouversun.com/news/Religious+revival+vibrant+order+nuns+Squamish+building+million+monastery/7073156/story.html#ixzz23Fe9RyFJ

mull | the meeting of ‘x’ and ‘y’

Lochinvar (from Marmion by Sir Walter Scott)

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none.
He rode all unarm’d, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar
He staid not for brake, and he stoppd not for stone.
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter’d the Netherby Hall,
Among bride’s-men, and kinsmen, and brothers and all:
Then spoke the bride’s father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
‘O come ye in peace here, or come ye in war.
Or to dance at our bridal. young Lord Lochinvar?’

‘I long woo’d your daughter, my suit you denied;-
Love swells like the Solway, but ebbs like its tide-
And now I am come, with this lost love of mine.
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar.’

The bride kiss’d the goblet: the knight took it up.
He quaff’d off the wine, and he threw down the cup.
She lookd down to blush. and she look’d up to sigh.
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, -
‘Now tread we a measure!’ said young Lochinvar.

So stately his form, and so lovely her face.
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper’d, “Twere better by far
To have match’d our fair cousin with young Lochinvar.’

One touch to her hand, and one word in her ear.
When they reach’d the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
‘She is won! we are gone, over bank, bush, and scaur;
Theyll have fleet steeds that follow’, quoth young Lochinvar.

There was mounting ‘mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne’er did they see.
So daring in love, and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar?

{Meaning of unusual words:
scaur=area of steep exposed rock on a hillside.}


[Photographs: MoonWynd Studio - Copyright 2012. Mull, Scotland]